Wed­ding pho­to of Flo­ry and Har­ry Jago­da, neg. 05584, Unit­ed States Holo­caust Memo­r­i­al Muse­um, cour­tesy of Flo­ry Kabilio Jagoda

On an unusu­al­ly sun­ny Feb­ru­ary after­noon in 2009, the well-known Ladi­no folk singer Flo­ry Jago­da drove me through the streets of Alexan­dria, Vir­ginia. I remem­ber lit­tle of the dri­ve to the metro sta­tion, but I recall ques­tion­ing my san­i­ty as the car sped through the streets, head­ing toward the yel­low line’s Brad­dock Sta­tion. Flo­ry Jago­da careened through the streets as I con­tin­ued to inter­view her. Her respons­es were quick, enthu­si­as­tic, and filled with advice and reflection.

I had spent the day with her and her hus­band, Har­ry, in their com­fort­able Vir­ginia apart­ment over­look­ing the water. We exam­ined pho­tographs, lov­ing­ly cra­dled her accor­dion, lis­tened to musi­cal selec­tions, and rem­i­nisced about their fam­i­ly and friends. Flo­ry was the fourth Jew­ish war bride I inter­viewed for my book Between Two Worlds, and the only one whose hus­band was still alive. When we spoke, it took time for her and Har­ry to talk about their courtship and wed­ding. Both felt most com­fort­able with the nar­ra­tives they had repeat­ed over the last few decades. By the time I met her in 2009, Flo­ry had been inter­viewed sev­er­al times and had been the sub­ject of the first doc­u­men­tary film con­cern­ing her life. She and Har­ry were not accus­tomed to dis­clos­ing details of their courtship and mar­riage. Those had not been the foci of their pre­vi­ous inter­views. I noticed this pat­tern in many of the inter­views I con­duct­ed for Between Two Worlds

Dur­ing my research, I was fas­ci­nat­ed by the para­dox of Jew­ish war brides whose Holo­caust sur­vival nar­ra­tives had become well known by the ear­ly twen­ty-first cen­tu­ry but whose sto­ries about meet­ing and mar­ry­ing mil­i­tary per­son­nel remained — at most — a foot­note in their life sto­ries. As a young pro­fes­sor of his­to­ry, sev­er­al of the mem­oirs I assigned were writ­ten by female sur­vivors who con­clud­ed their books with a brief descrip­tion of their life-alter­ing encoun­ters with the Amer­i­can, British, or Cana­di­an mil­i­tary per­son­nel they lat­er mar­ried. My stu­dents and I began with Ger­da Weiss­man Klein’s 1957 All But My Life. Lat­er, I assigned the mem­oirs of Lee­sha Rose, Gena Turgel, Clara Isaac­man, Anne Fox, Judith Isaac­son, and Lala Fish­man, all Jew­ish war brides. Like Flo­ry, these women also par­tic­i­pat­ed in inter­view projects, often con­sent­ing to being inter­viewed mul­ti­ple times. Like­wise, sev­er­al of these women par­tic­i­pat­ed in projects that lay out­side of the tra­di­tion­al realm of memo­ri­al­iza­tion; Flo­ry pre­served songs of her pre­war life in Yugoslavia, Ger­da authored two children’s books, Lee­sha pro­duced plays con­cern­ing the resis­tance, and Clara devel­oped a Holo­caust edu­ca­tion pro­gram for high school and col­lege aged students. 

While these women devel­oped strong self-reflec­tions as sur­vivors lat­er in their lives, most spent the first few decades after the war reveal­ing lit­tle about what had hap­pened to them dur­ing the Holo­caust. Even those who shared their expe­ri­ences in the imme­di­ate post­war peri­od tend­ed to be silent once they set­tled into their new homes. Lee­sha, for exam­ple, was cel­e­brat­ed as a war hero when she first arrived in Cana­da and spoke with news­pa­per reporters when she immi­grat­ed to Toron­to. By the ear­ly 1950s, how­ev­er, she had ceased speak­ing about her expe­ri­ences in the resis­tance or her per­son­al loss­es dur­ing the war. That mir­rored Gena’s expe­ri­ences. Gena had also been inter­viewed imme­di­ate­ly after she left Ger­many and arrived in Lon­don, but she stopped shar­ing her sto­ry once she moved into her in-laws’ home. Even when she felt an urge to record her expe­ri­ences, the Bergen Belsen sur­vivor remained qui­et, secret­ly writ­ing her mem­oirs in a mix­ture of Pol­ish and Eng­lish before hid­ing them away. 

Many Jew­ish war brides began to dis­cuss their war time expe­ri­ences when their chil­dren reached ado­les­cence and adult­hood. After main­tain­ing decades of silence, Lee­sha shared her past with her son when he inquired about her Holo­caust expe­ri­ences. Accord­ing to her rec­ol­lec­tions, this ques­tion­ing made every­thing tum­ble out,” and with­in a decade, she tran­si­tioned from qui­et­ly divulging her painful past to her chil­dren to becom­ing heav­i­ly involved in Holo­caust edu­ca­tion efforts, pub­lish­ing her mem­oir in 1978

Joe, Gary, and Arlene Judd, Author’s pri­vate collection

While many Euro­pean and North African Jew­ish World War II war brides con­sent­ed to inter­views in the 1980s, 1990s, and ear­ly 2000s, there were sev­er­al who nev­er pub­licly shared their expe­ri­ences. Some of these Jew­ish war brides could be locat­ed only in the archival record; oth­ers emerged because they had been remem­bered as sur­vivors by their chil­dren and grand­chil­dren. My grand­moth­er exem­pli­fied this lat­ter cat­e­go­ry. In many ways, it was my grandmother’s expe­ri­ence, along­side the mem­oirs and inter­views by women such as Flo­ry and Ger­da, that drove me to write Between Two Worlds: Jew­ish War Brides After the Holo­caust, a his­to­ry of the Jew­ish sur­vivors who mar­ried Amer­i­can, British, and Cana­di­an mil­i­tary personnel. 

Between Two Worlds offers a dif­fer­ent way of think­ing about the Holo­caust and its after­math. I want­ed to know more about sur­vivors like my grand­moth­er, Gena, and Flo­ry: women and men who immi­grat­ed under a spe­cial cat­e­go­ry with sep­a­rate visas and trav­eled on ships, trains, and planes paid for by the Allies. These Jew­ish war brides and their spous­es float­ed between war bride, sur­vivor, and mil­i­tary com­mu­ni­ties, nev­er ful­ly belong­ing to one or the oth­er. They cre­at­ed fam­i­lies ground­ed in the trau­mas of both the Holo­caust and World War II, hav­ing unique oppor­tu­ni­ties to cre­ate Jew­ish lives and Jew­ish com­mu­ni­ties after unspeak­able trau­ma. My inter­view with Flo­ry and her hus­band was one piece of a larg­er nar­ra­tive on this over­looked sto­ry and pro­vid­ed me with the oppor­tu­ni­ty to intro­duce her and oth­er less­er known heroes into his­to­ries of the Holo­caust and World War II.

Robin Judd is an asso­ciate pro­fes­sor of his­to­ry at The Ohio State Uni­ver­si­ty, where she directs the Hoff­man Lead­ers and Lead­er­ship in His­to­ry Fel­low­ship pro­gram. Robin serves on the State of Ohio’s Com­mis­sion for Holo­caust and Geno­cide Edu­ca­tion and Memo­ri­al­iza­tion and is the imme­di­ate past pres­i­dent of the Asso­ci­a­tion for Jew­ish Stud­ies, the largest inter­na­tion­al soci­ety for schol­ars inter­est­ed in Jew­ish Studies.