Fic­tion

Dis­placed Per­sons: Stories

  • Review
By – July 15, 2024

Joan Leegant’s lat­est award-win­ning book, Dis­placed Per­sons, is a page-turn­ing col­lec­tion with vivid Jew­ish char­ac­ters whose loves, fears, and expe­ri­ences will be relat­able to read­ers. The book is divid­ed into two sec­tions, with half the sto­ries tak­ing place in Israel and the oth­er half in the Unit­ed States. 

In two sto­ries in the first half of the book — The Bagh­da­di” and Beau­ti­ful Souls” — Leegant’s char­ac­ters push against con­ven­tions of reli­gion and gen­der. In The Bagh­da­di,” the old­est Jew­ish man in Bagh­dad has been brought to Israel by Amer­i­cans and placed in an old folks’ home, sup­pos­ed­ly for his own safe­ty. The man soon becomes sick and lacks the right med­ical care. In Iraq, his neigh­bors, who were all Mus­lim, had cared for him and treat­ed him like one of their own.” The nar­ra­tor explains that Iraq is the old­est Jew­ish com­mu­ni­ty in the world out­side of Israel. Some­times, the nar­ra­tor goes on, cer­tain polit­i­cal choic­es — like mak­ing Israel or the Unit­ed States seem hero­ic — have impacts on every­day peo­ple and fam­i­lies that aren’t always vis­i­ble or understood. 

A sim­i­lar mis­un­der­stand­ing occurs in Beau­ti­ful Souls,” when two Amer­i­can teenage girls wan­der through the stalls of the Arab shuk in Jerusalem’s Old City before enter­ing a restau­rant down an alley. The girls point out that they were sup­posed to not be afraid of the Arabs or think poor­ly of them. All week their par­ents had talked with them about the plight of the Pales­tini­ans and the failed lead­er­ship on both sides and the irra­tional hatred of the oth­er” that was every­where in this world, respon­si­ble for so much suf­fer­ing.” Despite their inten­tions and open-mind­ed­ness, when one of the girls is sex­u­al­ly harassed by Arab men, the girls expe­ri­ence a rift in their emo­tions, and a lack of com­mu­ni­ca­tion caus­es one girl to shut down and dis­tance her­self from her friend. 

In each sto­ry, the char­ac­ters are deeply influ­enced by their Jew­ish iden­ti­ty, but they also con­front larg­er issues of belong­ing. Sev­er­al of the sto­ries in the sec­ond half of the book revolve around indi­vid­u­als whose actions change their fam­i­ly dynam­ics. In Roots,” a child has con­tin­u­al run-ins with the law; in After,” a young per­son strug­gles with men­tal ill­ness and exhibits extreme behav­ior. In these and oth­er sto­ries, chil­dren become adults, and read­ers see how trau­mat­ic expe­ri­ences of the past can affect rela­tion­ships in the present. 

The char­ac­ters in each sto­ry rethink and refine their place in the world. Leegant’s beau­ti­ful style com­pels us to think about them long after we’ve fin­ished reading.

Jamie Wendt is the author of the poet­ry col­lec­tion Fruit of the Earth (Main Street Rag, 2018), which won the 2019 Nation­al Fed­er­a­tion of Press Women Book Award in Poet­ry. Her man­u­script, Laugh­ing in Yid­dish, was a final­ist for the 2022 Philip Levine Prize in Poet­ry. Her poems and essays have been pub­lished in var­i­ous lit­er­ary jour­nals and antholo­gies, includ­ing Fem­i­nine Ris­ingGreen Moun­tains Review, Lilith, Jet Fuel Review, the For­ward, Poet­i­ca Mag­a­zine, and oth­ers. She con­tributes book reviews to Jew­ish Book Coun­cil as well as to oth­er pub­li­ca­tions, includ­ing Lit­er­ary Mama and Mom Egg Review. She has received an Hon­or­able Men­tion Push­cart Prize and was nom­i­nat­ed for Best Spir­i­tu­al Lit­er­a­ture. She holds an MFA in Cre­ative Writ­ing from the Uni­ver­si­ty of Nebras­ka Oma­ha. She is a mid­dle school Human­i­ties teacher and lives in Chica­go with her hus­band and two kids. 

Discussion Questions