Bar­bara Isen­berg, author of Tra­di­tion!, is an award win­ning jour­nal­ist who has been writ­ing and lec­tur­ing about the­ater for over three decades. She is blog­ging here for the Vis­it­ing Scribe series all week.

One of the sad­dest parts of writ­ing a book is hav­ing to set aside mate­r­i­al you cher­ish but which sim­ply doesn’t fit in the book that emerges. This hap­pened to me too many times on my cur­rent book, Tra­di­tion!: The High­ly Improb­a­ble, Ulti­mate­ly Tri­umphant Broad­way-to-Hol­ly­wood Sto­ry of Fid­dler on the Roof, The World’s Most Beloved Musi­cal, and among the trea­sures still in my files are out­takes from my inter­view with the writer Bel Kaufman.

Bel Kauf­man is best-known to the gen­er­al pub­lic as the author of the best-sell­ing 1965 nov­el Up the Down Stair­case, based on her own expe­ri­ences as a New York City school­teacher. But she is per­haps equal­ly well-known to Jew­ish read­ers as the grand­daugh­ter of the great Yid­dish humorist Sholem Ale­ichem. Since Aleichem’s won­drous short sto­ries about Tevye the Dairy­man inspired Fid­dler on the Roof, I was par­tic­u­lar­ly eager to meet her.

Until her death this July at age 103, Bel Kauf­man was the last remain­ing fam­i­ly mem­ber who actu­al­ly knew Ale­ichem before his own death in 1916. So it was that one sum­mer day, not long after her 100th birth­day, I went to vis­it her to talk about her famous grand­fa­ther. As you might imag­ine, she imme­di­ate­ly warmed to the subject. 

He was the most won­der­ful grand­fa­ther any child could have,” she told me that day. We nev­er called him grand­fa­ther.’ For us, he was Pop­pa Sholem Ale­ichem.’ He was much too youth­ful to be a grand­fa­ther. He was slight and ele­gant, and he loved fan­cy clothes. Vel­vet jack­ets. Beau­ti­ful ties. He was more like a Euro­pean man of let­ters. He cor­re­spond­ed in Russ­ian with Tol­stoy and Chekhov. Of course, I didn’t know all that at the time. To me, he was Pop­pa Sholem Ale­ichem, who was great fun. 

I remem­ber the sound of his laugh­ter, and I have two or three vis­cer­al mem­o­ries. I remem­ber the feel­ing of his hand. He used to tell me that the hard­er I held his hand, the bet­ter he wrote. So I take all cred­it, for I held on very tight.” 

Kauf­man also spoke of her adult role as Aleichem’s grand­daugh­ter. When I came to this coun­try, at 12, I was intro­duced as Sholem Aleichem’s grand­daugh­ter,’” she said. It embar­rassed me. I used to say it was my eas­i­est accom­plish­ment. All I had to do was to get born to his daugh­ter. Then Up the Down Stair­case was pub­lished to rave reviews, which I nev­er expect­ed. When the crit­ics were kind enough to say I wore the man­tle well, and had the same humor and com­pas­sion as my grand­fa­ther, it was as if I had been giv­en per­mis­sion to be a writer. It was as if I heard him say, alright, so be a writer.” 

Bar­bara Isen­berg is the author of Mak­ing It Big: The Diary of a Broad­way Musi­cal, State of the Arts: Cal­i­for­nia Artists Talk About Their Work and Con­ver­sa­tions with Frank Gehry. Her work has appeared in the LA Times, the Wall Street Jour­nal, Time, Esquire, The Huff­in­g­ton Post, and London’s Sun­day Times. She lives in Los Ange­les. Read more about her and her work here.

Relat­ed Content:

Bar­bara Isen­berg, author of Tra­di­tion!, is an award win­ning jour­nal­ist who has been writ­ing and lec­tur­ing about the­ater for over three decades. She is the author of Mak­ing It Big: The Diary of a Broad­way Musi­cal, State of the Arts: Cal­i­for­nia Artists Talk About Their Workand Con­ver­sa­tions with Frank Gehry. Her work has appeared in the LA Times, the Wall Street Jour­nal, Time, Esquire, The Huff­in­g­ton Post, and London’s Sun­day Times. She lives in Los Ange­les. Read more about her and her work here.

Rem­i­nisc­ing with Bel Kauf­man about Sholem Aleichem

The Com­ings and Goings of Songs in Fid­dler on the Roof”