This piece is part of our Witnessing series, which shares pieces from Israeli authors and authors in Israel, as well as the experiences of Jewish writers around the globe in the aftermath of October 7th.
It is critical to understand history not just through the books that will be written later, but also through the first-hand testimonies and real-time accounting of events as they occur. At Jewish Book Council, we understand the value of these written testimonials and of sharing these individual experiences. It’s more important now than ever to give space to these voices and narratives.
In collaboration with the Jewish Book Council, JBI is recording these pieces to increase the accessibility of these accounts for individuals who are blind, have low vision or are print disabled.
A Lake of Stars
We arrive at Rosmarin’s
where the bungalows are on stilts
and the 1960’s wood paneling reminds me
of a childhood spent in Woodbridge and Monticello, in
colonies of refuge my parents took us to each summer.
There we joined my grandparents and their friends,
kibbitzers playing poker and pinochle,
housewives in bouffants, hustling mahjong and canasta
under an oak tree, reliving
their childhood before the war,
each in short sleeves and tattoo.
I could see the roundups behind their smiles,
the barking dogs and the terror
woven into jerseys of laughter,
their bodies ancient at fifty.
They told me over a glezl tey, never again
but I know better now.
At Rosmarins, the late afternoon sky ignites the lake,
and the water is like a glezl tey I float in.
When the wind kicks up,
a blue heron shudders and lifts above the surface,
I think of the Nova dancers; I see
their shadows pinned to the trees.
I see my grandmother and her friends
covered in Yiddish clover, tattooed under an oak.
Their white, hairless bodies in the pool,
touched by the sun. There’s no escaping the irony;
they were the lucky ones.
Saturday night the band plays.
Disco lights flicker like it’s 1972.
The Rosmarin’s sky is a lake of stars
and in it I imagine the crowd at Nova,
before the music dies, and innocence
is a constellation of freedom.
All I can do is try to hold onto the moment
before the dawn ends and the executions begin.
But the music is too loud,
and my body is too old.
The sky with its lake of stars is
obscene-beautiful.
All around me the air is burning.
I can taste the ashes in my grandmother’s glezl tey,
and hear the prayers in the forest
of tunnels rimed with tears.
The views and opinions expressed above are those of the author, based on their observations and experiences.
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Zeeva Bukai was born in Israel and raised in New York City. Her work has appeared in Judith, Quartet, OfTheBook Press, CARVE, Mcsweeney’s Quarterly Concern, The Master’s Review, and elsewhere. Her honors include a fellowship at the New York Center for Fiction, and residencies at Hedgebrook and Byrdcliff AIR in Woodstock, NY. She holds an MFA from Brooklyn College and lives with her family in Brooklyn. Her debut novel, The Anatomy of Exile, is forthcoming from Delphinium Books in January 2025. You can reach her at zeevabukai.com.