Non­fic­tion

There Was Night and There Was Morn­ing: A Mem­oir of Trau­ma and Redemption

  • Review
By – November 18, 2024

There are many mem­oirs about fright­en­ing, errat­ic par­ents. In these hor­ri­fy­ing sto­ries, the author’s most frag­ile years are marked by cru­el­ty. She los­es every­thing: her sense of safe­ty, of nor­mal­cy, even the pos­si­bil­i­ty of escap­ing into a bet­ter world. By con­trast, the par­ent seems to emerge vic­to­ri­ous, hav­ing destroyed the seem­ing threat to their tox­ic nar­cis­sism. These mem­oirs often end by set­tling scores, reveal­ing who the true vil­lains are.

There Was Night and There Was Morn­ing is dif­fer­ent in many ways. Sara Sherbill’s father, a pul­pit rab­bi, is far more enig­mat­ic than the stan­dard mem­oir-mon­ster. While he ter­ror­ized his large fam­i­ly, includ­ing his wife, he was also a pil­lar, self­less­ly serv­ing the life­long needs of an ador­ing con­gre­ga­tion. His Jekyll/​Hyde dual­i­ty puz­zles the author as much as it tor­ment­ed the rab­bi him­self, who rarely had a moment’s tran­quil­i­ty. In her ear­ly child­hood, in Israel, Sherbill’s father was tru­ly lov­ing and devot­ed; indeed, the book’s cov­er shows a young man in a beau­ti­ful­ly woven yarmulke, ten­der­ly, almost rev­er­ent­ly, embrac­ing his infant daugh­ter. Both this pho­to and the book’s title evoke the first, per­fect days of bib­li­cal creation. 

How does such a sweet man become so unhinged? And how does he con­tin­ue to espouse Judaism, not as a hyp­ocrite, but sin­cere­ly, devot­ed­ly, for years? Recount­ing her father’s funer­al, Sher­bill sums up his pro­fes­sion­al life: 

He brought hun­dreds if not thou­sands of Jews back to Judaism. He taught them about God and about prayer. He offi­ci­at­ed at wed­dings and bar mitz­vahs and baby nam­ings, bless­ing every per­son he encoun­tered. He gave com­fort to mourn­ers. He sat with them and talked with them, and his words gave them solace.

Yet this great and giv­ing man is also described as the author of domes­tic chaos. He beat his wife and five chil­dren in blind rages, and, lat­er in life, he sex­u­al­ly abused young girls. The ques­tion of good and evil dom­i­nates the book. Is his bad­ness” in fact a form of men­tal ill­ness? Rab­bi Sher­bill even­tu­al­ly lost his pul­pit, strug­gled with addic­tion, and lived in soli­tary squalor. We are left to won­der whether he suf­fered a trau­mat­ic child­hood, or whether he was sim­ply strick­en by an ungovern­able, trag­ic, and untreat­ed madness. 

Even so, there is no eras­ing the ugly truths. After gen­er­ous­ly eulo­giz­ing her father’s many good deeds, Sher­bill writes, This is the canon of accept­ed sto­ries, but then there are the oth­er sto­ries. The sto­ries no one wants to tell.”

In this mem­oir, Sara Sher­bill brave­ly tells the sto­ries no one else want­ed to tell. They hang in the air like wails of love-tinged grief, and it is up to us read­ers to make sense of them.

Sonia Taitz, a Ramaz, Yale Law, and Oxford grad­u­ate, is the author of five books, includ­ing the acclaimed sec­ond gen­er­a­tion” mem­oir, The Watch­mak­er’s Daugh­ter, and the nov­el, Great with Child. Praised for her warmth and wit by Van­i­ty Fair, The New York Times Book Review, Peo­ple and The Chica­go Tri­bune, she is cur­rent­ly work­ing on a nov­el about the Zohar, the mys­ti­cal source of Jew­ish transcendence.

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