Poet­ry

Night, Morn­ing

Hamu­tal Bar-Yosef; Rachel Tzvia Back, trans.
  • Review
By – January 11, 2012
Bar-Yosef s poems reflect both the trag­ic and the joy­ous aspects of life rep­re­sent­ed by night and morn­ing. She cov­ers the ages of man,” rang­ing from ear­ly youth to old age. In the poem Embrace,” she describes a hike as a mem­o­ry of:

an embrace of light and wild yel­low
weeds.…
the air gen­er­ous with trem­bling in
the sun
flowed with milk and love.

More than a hike, it is an impres­sion­is­tic depic­tion of youth­ful feel­ings at one with nature, which can only be artic­u­lat­ed lat­er on in life. And then there is the evo­ca­tion of youth­ful wounds that last. From A Present:”

I was nine when I decid­ed to make
my moth­er a birth­day present…
a surprise…something she would like
and that would make her a lit­tle
hap­py.
In secret I sewed a hand­ker­chief, a
table-mat, a duster
some­thing resem­bling a wallet.…

From my father my moth­er received
a sil­ver brooch from Beza­lel
made of fil­i­gree threads in the shape
of twin moun­tains.
She pinned it to her blue dress,
between her breasts.

About my present she said: It’s bet­ter
to make one large thing.
More than fifty years I’ve remained
stunned.

Long­ing for love is anoth­er stage of life that may occur at any age and at any time. At Four Thir­ty in the After­noon” a tree is com­pared to a child at day­care whose par­ents are late/​ready to embrace any strange adopt­ing arm.” An under­stand­ing of the effect of roman­tic love is beau­ti­ful­ly por­trayed in When You Stay Here:”

When you stay here
I weigh less.…
When you come to me
there is non-stop Mozart
on the radio.…

Old age is not a neglect­ed stage of life either, in these poems. In When I Was in High School,” she describes her anger at her moth­er and claims: 

I swore
I would mar­ry and nev­er again see
your wrin­kled face
which always envied the oth­er
moth­ers…

She describes her rage at her moth­er for pre­vent­ing her from doing many things, includ­ing send­ing a love-let­ter to a mar­ried man, and ends the poem with a wist­ful remark about not being able to remem­ber what oth­er things she was so angry about: 

I’m too old now and my wrin­kled
face
which always envies the oth­er moth­ers
is need­ed by no one but you.

She writes about feel­ings as sharply as if she were in her twen­ties, so it comes as a shock that she was born in 1940. The keen­ness of her emo­tions has nev­er dimmed, it seems. It makes for pow­er­ful reading.
Eleanor Ehrenkranz received her Ph.D. from NYU and has taught at Stern Col­lege, NYU, Mer­cy Col­lege, and at Pace Uni­ver­si­ty. She has lec­tured wide­ly on Jew­ish lit­er­a­ture and recent­ly pub­lished anthol­o­gy of Jew­ish poet­ry, Explain­ing Life: The Wis­dom of Mod­ern Jew­ish Poet­ry, 1960 – 2010.

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