Immigration is an important subject in children’s books. In Amazing Abe, Norman H. Finkelstein (1941 – 2024) and Vesper Stamper offer a new perspective on this part of Jewish history. In founding and editing Forverts (The Jewish Daily Forward), Abraham Cahan took on the task of informing, entertaining, and advocating for the Yiddish-speaking immigrants of his adopted country. For many decades, Cahan’s newspaper was at the center of Jewish life in America. The book’s conversational tone and detailed images make it accessible to young readers living in a world of vanishing print media.
Born in the multilingual Jewish community of the Russian Empire, the young Cahan studied Hebrew in his religious education and Russian in his secular one. “But the language he dreamed in was Yiddish,” Finkelstein points out, setting the stage for the publication that would become the voice of America’s Jews. Stamper depicts the neatly dressed student with payos, his elbows resting on a Hebrew text as he turns his head to look out the window. As he grows into a slim young man with glasses who bravely stands up to the Czar’s soldiers, he is still identifiable as that child.
When Abe immigrated to England and then the United States, his life improved but was still difficult. Yet he wasn’t easily discouraged — not even when he attended public school at the age of twenty-two in order to learn English. His experience with grueling factory labor during the day reinforced his commitment to labor rights, and his attendance at night school opened doors for him in the world of journalism. A combination of challenges, persistence, and opportunity united to convert an ordinary worker into a heroic figure. Finkelstein emphasizes Cahan’s ability to respond to changing demands. He both exhorted workers to support unions and realized that they needed to understand the rules of baseball in order to participate in American popular culture. After receiving innumerable letters from readers detailing their troubles, he initiated the Bintel Brief (Bundle of Letters) advice column, offering solutions to their social, political, and financial problems. Finkelstein conveys the message that immigrants need help, and making information available to them is essential.
Toward the end of the book, a white-haired Cahan wears a pinstriped suit and looks up at the imposing Forverts building in lower Manhattan. Finkelstein’s fluent narrative and Stamper’s expressive pictures show how an imaginative child in the Pale of Settlement became an American success story who gave the Jews of America a voice.
Emily Schneider writes about literature, feminism, and culture for Tablet, The Forward, The Horn Book, and other publications, and writes about children’s books on her blog. She has a Ph.D. in Romance Languages and Literatures.