I might be obsessed with historical figures. Maybe it’s a Jewish thing. But my two most recent books were Osama (a novel) and Jesus & The Eightfold Path (a novella) – though the one may be too early to be called historical, and the other may not be historical at all. Josephus Flavius, supposed chronicler of my novella (The Gospel According to Josephus, we learn half-way through) is our only contemporary historian to mention Jesus, but it appears quite likely the mention – a single paragraph – was inserted into the text centuries later.
Be that as it may, with a recent short story called “The Lives and Deaths of Che Guevara” (in the Solaris Rising anthology) chronicling the effect multiple clones of the legendary revolutionary had on the world’s various conflicts and wars, I think I might suffer from Historical Figure Fixation, and that just sounds like a bad Woody Allen movie (which is, basically, any Woody Allen movie after 1985. Badabing).
I keep saying my next book will have to be Mother Teresa, Gunslinger. I also like to say I never joke about future books. Though it occurs to me this might be better as a graphic novel. Certainly my planned book about a gun-slinging Walt Whitman traversing a future planet Mars accompanied by an automaton Golda Meir (in search of mysterious alien ruins, perhaps!) isn’t a joke. I’m just waiting for someone to pay me to write it.
I might be waiting a while, though.
Still, as long as you’re willing to be poorer than someone who was made redundant from McDonald’s, the writing life is a wonderful thing. You get to come up with titles like “The Were-Wizard of Oz” and sell the resultant story to an anthology (Bewere the Night, in all good bookstores!) or, indeed, re-imagine what would have happened if the three Wise Men from the East were the three companions of the Buddha (that is, Monkey, Pigsy and Sandy) from the Chinese classic A Journey to the West. The working title, needless to say, was Kung Fu Jesus.
Four Jews made an undeniable impact on 20th century culture. Freud gave us psychoanalysis. Marx gave us Marxism. Einstein gave us Relativity. And Haim Saban gave us Mighty Morphin’ Power Rangers.
It’s a hard act to follow.
But history’s a great thing for a writer. Otherwise it just, sort of, sits there. Doing nothing. Might as well package it. Ideally with some kung-fu.
But I think I’m getting better. I avoid the history books. Shun the History Channel. No more HFF for me. The words of my grandfather keep echoing in my ears, instead.
When, he said, when will you stop writing this weird… stuff, and write something serious for once?
I don’t know, Granddad. I don’t know.
Lavie Tidhar’s most recent novel is Osama (PS Publishing). It has been compared to Philip K. Dick’s seminal work, The Man in the High Castle by both the Guardian and the Financial Times. His other works include steampunk trilogy The Bookman, Camera Obscura and the forthcoming The Great Game, all three from Angry Robot Books, the novella Jesus & The Eightfold Path (Immersion Press), and the ground-breaking Jewish fantasy collection HebrewPunk. He grew up on a kibbutz in Israel and has since lived in South Africa, the UK, Vanuatu and Laos. He currently lives in London, and tweets too much.
Lavie Tidhar (A Man Lies Dreaming, Unholy Land) is an acclaimed author of literature, science fiction, fantasy, graphic novels, and middle grade fiction. Tidhar received the Campbell and Neukom Literary awards for his breakout novel Central Station, which has been translated into more than ten languages. He has also received the British Science Fiction, British Fantasy, and World Fantasy Awards. Tidhar’s recent books include the Arthurian satire By Force Alone, and the series Adler. He is a book columnist for the Washington Post, and recently edited the Best of World SF anthology. Tidhar has lived all over the world, including Israel, Vanuatu, Laos, and South Africa, and he currently resides with his family in London.