The Internet is a tricky beast. Sitting alone, cozy in ragged sweatpants, writing while curled on the couch, it’s easy to believe that you’re cloaked in isolation, even as you spill on that most public of forums. Thus, I hesitate before committing words online. After reading a recent well-intentioned post — about an SS officer — a piece written by a friend of a dear friend, an article meant in good will, I wrestled more than usual.
The essay focused on a particular slice of the copious research this first-generation American author did while writing a novel (which I have not read) about Germany before, during, and after WWII, from the point of view of a young German woman who falls in love with a Jewish man.
During her research, the writer (through her family ties in Germany) met with an elderly former SS officer — an officer and doctor— who the writer concludes was stationed on the front lines, not in a camp.
They met in the man’s home, where a German Mother’s Cross (a program begun by Hitler, encouraging German women to have more Aryan children, which yearly — on Hitler’s mother’s birthday — awarded women crosses centered with swastikas for fertility) hung on the wall, a menorah sat on top of a cabinet, and, in an album of wartime shots shared with the author, was a photo of the officer standing with Hitler.
The author doesn’t question these displayed and shown items: she doesn’t want to discomfort the family member who arranged the interview, upset the doctor’s wife, or continue the process of “collective guilt.” Perhaps the officer was forced into his role, the author suggests. The author herself was a victim of assumption, having been taunted by being called a Nazi because her parents were German.
Despite her sincere attempt to be fair (“who was I to judge him now?” she asks), after finishing the essay I was shaken. Badly. Before writing a comment, I spent hours pondering the wisdom of ignoring the post versus attempting conversation. I didn’t want to anger or insult the writer, or publicly ‘call her out,’ and thus hesitated to commit my feelings to public paper. Still, however well-intentioned, her words felt like slaps against my history. I couldn’t get the essay out of my mind.
Not writing didn’t seem like an option.
Check back tomorrow for the second installment in “Collective Guilt vs. Collective Fear.” Read more about Randy Susan Meyers’s here.
Randy Susan Meyers is the bestselling author of Accidents of Marriage, The Comfort of Lies, The Murderer’s Daughters, and The Widow of Wall Street. Her books have twice been finalists for the Mass Book Award and named “Must Read Books” by the Massachusetts Center for the Book. She teaches writing at the Grub Street Writers’ Center in Boston.