Minna Bromberg, author of Every Body Beloved: A Jewish Embrace of Fatness, is the founder of Fat Torah, an organization whose goals include connecting with sacred text, tradition, and spirituality to foster body liberation for people of all sizes. The writing of Every Body Beloved is an extension of this mission.
The book is structured through memories and essays in addition to interspersed personal letters from the author to people from her past who acted in fatphobic ways and whom she wants to confront with her concerns. In one letter, she addresses congregants at a Yom Kippur service who would not move to let her through the aisle and instead expected her to take a more inconvenient route down the stairs with her young children in tow. Bromberg expresses frustration and disappointment in the Jewish community for a lack of accessibility and kindness in places that are supposed to be comforting and community oriented.
Despite her frustrations, Bromberg has a strong connection to her Jewish identity, and her book often moves from personal stories to biblical midrash about fullness after famine and freedom after slavery. Just like Miriam encourages others to sing praises to God, Bromberg states, “ … my aim is to strive to be like Miriam: using my voice to bring others into song. My hope is that opening my mouth in sharing my fat freedom song — my own journey toward a world that embraces fatness — will encourage others to lift their voices as well.”
Bromberg refers to herself as “fat” and uses this word in an empowering way to claim part of her identity. She writes, “Using the word ‘fat’ to describe our own bodies lays claim to our right, as human beings created in the image of God, to determine what fat and fatness mean.” She describes the struggles with body image that she had as a child and teenager, and reflects on the complicated, negative views so many of us have with our bodies. Bromberg expresses the importance of loving our bodies, no matter their size, and avoiding spending so much of our time wishing we were thinner or suffering from a negative self-image. Instead, we should make room for all bodies in all spaces, especially Jewish spaces. One example that Bromberg discusses in detail is the size and sturdiness of chairs available during events in order to ensure that everyone has space to exist comfortably.
Bromberg recounts various examples of medical professionals making assumptions about her health based on her appearance while disregarding her actual concerns. She writes about her lack of desire for pursuing intentional weight loss but that doctors often tell her she needs to lose weight without mentioning any specific concerns about how her size might be impacting her health nor how to actually lose weight in a way that’s “proven to be safe and effective in the long term.” These discouraging experiences with doctors and in Jewish and other public spaces prompt readers to think anew about what accessibility means for people of all sizes, and how we can work toward creating a more inclusive, accommodating society.
Jamie Wendt is the author of the poetry collection Laughing in Yiddish (Broadstone Books, 2025), which was a finalist for the 2022 Philip Levine Prize in Poetry. Her first book, Fruit of the Earth (Main Street Rag, 2018), won the 2019 National Federation of Press Women Book Award in Poetry. Her poems and essays have been published in various literary journals and anthologies, including Feminine Rising, Catamaran, Lilith, Jet Fuel Review, the Forward, Minyan Magazine, and others. She contributes book reviews to the Jewish Book Council. She won third prize in the 2024 Reuben Rose Poetry Competition and won second prize for the 2024 Holloway Free Verse Award through the Illinois State Poetry Society. Wendt holds an MFA in Creative Writing from the University of Nebraska Omaha. She lives in Chicago with her husband and two kids. Follow her online at https://jamie-wendt.com/ or on Instagram @jamiewendtpoet.