Esther Scroll, 1750, From the Israel Muse­um Col­lec­tion via Wiki­Me­dia Commons

Purim is a hol­i­day cel­e­brat­ing the dras­tic rever­sal of Jew­ish fate in Per­sia through the coura­geous and sub­ver­sive deeds of Esther. Whether you’re fill­ing and fold­ing your own hamen­taschen, prepar­ing to rev­el all night, or bring­ing mishloach man­ot to com­mu­ni­ty mem­bers, we know that you’ll be turn­ing to sto­ries to inspire and enliv­en your hol­i­day fes­tiv­i­ties. In hon­or of Purim, we put togeth­er a read­ing list of books that exam­ine the use of cos­tumes and hid­den iden­ti­ties, fem­i­nine pow­er and social jus­tice, and that explore the lega­cy of Megillat Esther through retellings and reimag­in­ings. Check them out below.

If you’re look­ing for a chil­dren’s book on the hol­i­day, head to our data­base here!

The Book of V. by Anna Solomon

The sto­ry of Esther is often told as the tri­umph of a Jew­ish minor­i­ty over one man’s blind­ing hatred, through the courage and self­less­ness of one woman. Anna Solomon’s The Book of V. chal­lenges this sim­ple nar­ra­tive — ask­ing, what is Vashti’s sto­ry? And how do we choose to rep­re­sent women’s lives, both in the past and today?”

Queen Esther by John Irving

Through­out this insight­ful and humor­ous nov­el, Irv­ing exam­ines the rela­tion­ships that bind peo­ple togeth­er – be they made of blood, devo­tion, or love. Esther’s choic­es are guid­ed by her Jew­ish sense of duty and a strong devo­tion to Israel.”

Megillat Esther: The Graph­ic Tale by JT Waldman

For more than twen­ty years, JT Waldman’s Megillat Esther has remained the gold stan­dard for what an illus­trat­ed book of the Bible can be. Long out of print, this new full-col­or edi­tion enhances the black-and-white orig­i­nal and brings Waldman’s vision to a new gen­er­a­tion of read­ers.” ‑From the publisher

Esther in Amer­i­ca by Stu­art Halpern

Esther in Amer­i­ca is a splen­did col­lec­tion of essays on the com­plex his­to­ry of the Book of Esther in Amer­i­can — and par­tic­u­lar­ly Amer­i­can Jew­ish — cul­ture. Rab­bi Dr. Stu­art Halpern has assem­bled a range of essays from some of today’s sharpest schol­ars.” ‑Josh Hanft

Esther: A Nov­el by Rebec­ca Kanner

The beloved sto­ry of Queen Esther is ele­gant­ly elab­o­rat­ed and com­pli­cat­ed in Rebec­ca Kanner’s nov­el Esther… Esther strives to become queen not for rich­es and fame, but to help bring jus­tice to the land, espe­cial­ly after hear­ing that cer­tain ene­mies with­in the palace are plot­ting to harm the Jew­ish peo­ple as well as the king him­self.” ‑Jamie Wendt

Bib­li­cal Hero­ines: Eight Nov­els That Cel­e­brate Women Who Stand for Jus­tice” by Jacque­line Friedland

While a great many of the cel­e­brat­ed heroes in the Hebrew Bible are most­ly men, if you look close­ly, you can see the text is actu­al­ly filled with women who shaped Jew­ish his­to­ry. Their sto­ries are large­ly over­looked or incom­plete, but they are there. It’s a frus­trat­ing and famil­iar con­cept.” ‑Jacque­line Friedland

The God­dess of War­saw by Lisa Barr

This work of his­tor­i­cal fic­tion details the time before, dur­ing, and after the War­saw Ghet­to Upris­ing. The sto­ry moves in time between 1956 and 2005 Hol­ly­wood and 1943 Poland dur­ing the Nazi takeover.” ‑Miri­am Brad­man Abrahams

The Famil­iar by Leigh Bardugo

Luzia’s out­ward appear­ance as an illit­er­ate Catholic ser­vant is at war with her Jew­ish her­itage and the half-for­­got­ten Hebrew phras­es and rit­u­als that tie her to her deceased par­ents. In order to sur­vive, she must main­tain her facade, attend­ing mass fre­quent­ly and eat­ing pork publicly.”

Sky­lark by Paula McLain

Paula McLain’s sweep­ing new nov­el pos­es the ques­tion: what would you sac­ri­fice for your or oth­ers’ free­dom? Span­ning two time­lines in Paris, one in the mid-1600s and the oth­er in the mid-1900s, this book deeply immers­es read­ers in its vibrant setting.”

Bread Givers by Anzia Yezierska

Bread Givers fol­lows the sto­ry of Sara Smolin­sky, a Jew­ish immi­grant in the ear­ly 1900s who is deter­mined to escape the fate of her three old­er sis­ters: a life dic­tat­ed by the wills of men. Their father is a reli­gious zealot who lives off his daugh­ters’ wages, doom­ing them to lives of hard labor and unhap­py mar­riages.” ‑Adi­na Applebaum

Kan­ti­ka by Eliz­a­beth Graver

The sto­ry of Kan­ti­ka, based on the life of Graver’s grand­moth­er, opens in Con­stan­tino­ple in 1907 and spans five decades, mak­ing stops in Barcelona and Havana but ulti­mate­ly end­ing in New York City in 1950. While mod­ern Jews every­where are suf­fer­ing as a result of the two World Wars, it’s also a peri­od of great upheaval for Sephardic Jews in Islam­ic lands — in this case, Turkey.” ‑Nina B. Lichtenstein

The Thread Col­lec­tors: A Nov­el by Alyson Rich­man and Shaunna Edwards

Through deft writ­ing and empath­ic char­ac­ters, Edwards and Rich­man touch on many themes: the strength of women to over­come adver­si­ty, the sac­ri­fices of moth­er­hood, the abil­i­ty of shared pas­sions to con­nect strangers, the inge­nu­ity that bridges divi­sions, and, ulti­mate­ly, the ideas peo­ple dream up to restore pow­er to the pow­er­less” ‑Lin­da F. Burghardt

Rebel Daugh­ter by Lori Banov Kaufmann

Con­stant­ly ques­tion­ing the cul­tur­al norms that pro­hib­it women from learn­ing, Esther con­vinces her father to teach her to read and study, not only Hebrew but also Greek. She observes him enact­ing the com­plex cer­e­monies of Tem­ple sac­ri­fice and feels vis­cer­al­ly con­nect­ed to the Jew­ish peo­ple, even more so as their lives become pro­gres­sive­ly more threat­ened.” ‑Emi­ly Schneider

The Dove­keep­ers by Alice Hoffman

Two women and five chil­dren sur­vived the mas­sacre, accord­ing to first-cen­­tu­ry Jew­ish his­to­ri­an Jose­phus. Hoff­man builds upon his ancient account, using it as a start­ing point to tell the sto­ries of four women whose diver­gent paths brought them to Masa­da” ‑Jaclyn Trop

A Queen Esther for the Twen­ti­eth Cen­tu­ry: A Con­ver­sa­tion with John Irv­ing” by Simona Zaretsky

I want­ed my Esther to share the bib­li­cal Esther’s need to hide her Jew­ish iden­ti­ty and the bib­li­cal Esther’s way of reveal­ing her­self on her own terms.” ‑John Irving

On Fairy Tale Retellings” by Ava Reid

The char­ac­ters from Jew­ish folk­lore that pop­u­late my book, such as the golem or Queen Esther, are not imme­di­ate­ly leg­i­ble to a wide audi­ence. I knew most read­ers of the book would not rec­og­nize tri­an­gu­lar jam-filled cook­ies as haman­taschen, or under­stand the sig­nif­i­cance of the Golem of Prague sto­ry as it is retold by the main character’s Jew­ish father.” ‑Ava Reid

Simona is the Jew­ish Book Coun­cil’s man­ag­er of dig­i­tal con­tent strat­e­gy. She grad­u­at­ed from Sarah Lawrence Col­lege with a con­cen­tra­tion in Eng­lish and His­to­ry and stud­ied abroad in India and Eng­land. Pri­or to the JBC she worked at Oxford Uni­ver­si­ty Press. Her writ­ing has been fea­tured in LilithThe Nor­mal School, Dig­ging through the Fat, and oth­er pub­li­ca­tions. She holds an MFA in fic­tion from The New School.