Poet­ry

Small Talk

  • Review
By – December 29, 2025

Jef­frey Schwartz packs many punch­es in his short new col­lec­tion of poet­ry, Small Talk. With themes rang­ing from aging par­ents to Covid to anti­semitism, Schwartz does not shy away from ambi­tious top­ics, and treats them with ten­der­ness, hon­esty, and luminosity. 

In the first poem in the col­lec­tion, I know what it’s like,” the poet writes about a con­ver­sa­tion with his nine­ty-five-year-old father. He uses a famil­iar, yet sur­pris­ing image to describe how the talk pro­ceeds after his father has voiced his usu­al com­plaints: Anger/& impa­tience dis­solved like a pair/​/​of chalky tablets in a tall glass/​of milky water.”

Towards the end of the poem, after recount­ing some of the details of their con­ver­sa­tion — includ­ing his father final­ly turn­ing down the TV stuck on foot­ball — the poet embod­ies his father in a very sim­ple, nat­ur­al way: I felt his heart pounding/​/​in my chest.”

In The Open Field,” Schwartz imag­ines Rumi at a poet­ry read­ing being held over Zoom — like­ly due to Covid. An epi­graph by Rumi (“Out beyond ideas of wrong­do­ing and rightdoing/​there is a field. I’ll meet you there”) sets the stage for a short dis­course on right­do­ing” in the time of Covid: We haven’t learned yet to cal­cu­late dis­tance vs inti­ma­cy like the doctors/​at Mount Sinai who dou­ble their pro­tec­tion with plas­tic shields.” Covid itself becomes a metaphor for how we need to pro­tect our­selves and still stay con­nect­ed as car­ing, com­pas­sion­ate human beings.

In Believe It,” Schwartz revis­its the Tree of Life shoot­ing. He begins by say­ing that while the eleven Jews were mur­dered, he was sit­ting in shul, as they were, study­ing Torah. At the end of the poem, he uses the metaphor of a 1936 flood in Pitts­burgh to say that we should have seen this com­ing: don’t for­get how in 1936/ flood waters rose 46 feet in down­town Pittsburgh/​before a dam was con­ceived. Who was lis­ten­ing then?”

One of the last poems in the col­lec­tion is called God’s Rules.” It’s a nice poem to round out the book, with a mes­sage about the impor­tance of accept­ing the pas­sage of time and who we are: In God’s house, no one fears death./Our bod­ies age, but not in the bath­room mirror.”

Small Talk is a book filled with small, unex­pect­ed gifts. The title is clear­ly under­stat­ed giv­en the chal­leng­ing top­ics Schwartz address­es. It shows that our most impor­tant, reveal­ing insights are often con­tained in the sim­ple ban­ter of every­day life.

Stew­art Flor­sheim’s poet­ry has been wide­ly pub­lished in mag­a­zines and antholo­gies. He was the edi­tor of Ghosts of the Holo­caust, an anthol­o­gy of poet­ry by chil­dren of Holo­caust sur­vivors (Wayne State Uni­ver­si­ty Press, 1989). He wrote the poet­ry chap­book, The Girl Eat­ing Oys­ters (2River, 2004). In 2005, Stew­art won the Blue Light Book Award for The Short Fall From Grace (Blue Light Press, 2006). His col­lec­tion, A Split Sec­ond of Light, was pub­lished by Blue Light Press in 2011 and received an Hon­or­able Men­tion in the San Fran­cis­co Book Fes­ti­val, hon­or­ing the best books pub­lished in the Spring of 2011. Stew­art’s new col­lec­tion, Amus­ing the Angels, won the Blue Light Book Award in 2022.

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